Quia Ergo Femina: a collection of the sung and unsung

This programme features pieces written for upper voices. In this concert we share a commission inspired by the Hildegard chant, Quia Ergo Femina, which Harry Elliot composed for The Hildegard Singers. Titled after the commissioned piece, this programme was crafted to unearth the rich harmonies created by upper voices music and the voices of women that are often left forgotten, marginalised, and unexplored.

Tickets: £5/ £3 concession tickets